English 1102: Television and Feminism

Dr. Casey Alane Wilson • Georgia Institute of Technology

Tag: Eddie huang

How Cinematography in Fresh Off the Boat leads to an Upbeat Environment

The Cinematography in Fresh Off the Boat, similar to the rest of the sitcom genre, lends itself to a very upbeat and cheerful environment. The combination of bright, warm, colors and quick cuts creates a pleasant, lighthearted, atmosphere.

Color in cinematography serves as a valuable tool in portraying how the audience feels. Lighting and color are a huge aspect in the emotion of a scene, and through the use of bright colors, the show invites the audience to feel comforted and happy. For example, the Huang’s house is painted a bright yellow or white in most places and the blinds are always open. In Season 2 Episode 10, the Huangs celebrate Christmas, and to communicate this idea of warmth and family, there is not a single dark scene. The few scenes shot at night have bright lights illuminating it. This episode is especially bright in comparison to the rest of the season because it wants to communicate the happy feeling of family and togetherness .

Christmas at the Huangs

Cutting quickly between the actors talking also creates a faux excitement and energy that keeps the audience engaged. Whenever a character talks, the camera hard cuts to them with no transition. The camera keeps the characters face in full shot while they are talking, seemingly used to create a sort of intimacy between the audience and the characters. The show is also shot in single-camera, following the characters as they move around. This parallels the fast paced plot of the show, as the audience quickly follows each characters and their sub plots. Specifically in the episode about Christmas, the cuts are abundantly clear when the kids are arguing about presents to get their parents and the camera quickly shifts between each of the kids as they each but in to the conversation.

Eddie in close view

Overall, the cinematography in the show perfectly sets the scene for how the directors want the audience to feel through the use of bright colors and lighting and quick cuts.

Fresh Outta Film School

Fresh Off the Boat has a fresh visual design. The colors are bright, the cuts are quick, and the color scheme is warm. This show is so wholesome that it even reflects in the visual design. The colors are warm schemed, reflecting the warmth of the show and the inviting characters as the series wants to display their family dynamic. This has the effect of carrying over the program’s lightheartedness. There are no gloomy days, dark scenes, or special effects in the show. It is very clean cut and looks bright and cheery even when nighttime scenes are shown.

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fight like sisters, love like sisters

The show has mostly longer scenes, with a plotline falling over an average to long timeframe, but shots are quick and clean. Conversations between characters are shot with quick cuts between each perspective, ping-ponging between lines of dialogue. Every once in a while scenes are shot differently, like the opening of Episode 7, when the Huang’s are in a mock robbery scene. The opening of the showtimes special edits with riffs and music. The narration is paired with shots, especially when narrating the thoughts of multiple characters at a time, which the show does often. These long takes help the development of the show by allowing for longer jokes and humor with better punchlines and more drama between the characters. Scene 7 also shows a fantasy of Eddie Huang wanting to hit on his crush, who he is intimidated by, by showing her his music taste. In this scene, he gets up to walk back to her and enters a fantasy edit with backup dancers and an autotuned bus driver. More intimate scenes, like one on one conversations between the mom and dad, are shot closer up, leading you into the conversation as if you were there. If it weren’t shot this close, it would feel as though you are observing something private, and may lose engagement with viewers.

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the way they look at each other <3

I find the intro of the show interesting cinematographically because it uses unique panning styles and zooms not used in the actual showtime. In the title sequence as well as most of Eddie’s scenes, the music is paired with the style of the shot. Zooms have riffs, sexy scenes have jazz, happy scenes have elevator music and Eddie’s got his 2pac. Is this show Straight Outta Compton or Straight Outta Suburbia?

Does hip hop make him supreme – or is it all a scheme?

One of my favorite parts about Fresh off the Boat are the voice overs. Eddie Huang, a middle schooler, narrates the first and final scene of every episode, but as an older post-pubescent man. As the main character, he is telling the story from his perspective and how he views the plot. Therefore, this implies that this is how Eddie sees himself. This is just a hilarious ploy by the writers to me.

The voice of this character is unique to say the least. He reflects Eddie’s love of hip hop by using popular slang terms, because those terms are ~cool~. The speech used by this narrator is based off the speech of the popular hip hop artists who act as Eddie’s role models. The voice drastically contrasts with the voice of the real Eddie Huang which is high pitched, and the slang terms don’t sound quite as natural, because he’s a little kid. When Eddie uses the same slang it looks like a kid who is pretending to be cool when in reality he’s not, but the narration voice really is. Again, what this says about Eddie is that he genuinely believes he’s really cool.

This says a lot about Eddie’s character. Eddie’s character struggles to make friends. He is often rejected by the kids at school. In season 1 episode 5, the episode starts out by Eddie narrating how he doesn’t get invited to any sleepovers. This statement alone is a bit odd, considering the narrator is an adult and adults don’t exactly have sleepovers (in the traditional sense of the term…).  The narrator continues by saying he was “mad siked” about getting invited to the sleepover which is something a ~cool~ person would say. And then the shot pans to Eddie, a small pudgy middle schooler who lacks in eyebrows (no offense Eddy, still love you). Despite this you might start thinking Eddie was actually a cool kid, because he finally got invited to a sleepover and was making friends. But again, the show reminds us that he is not. The next shot is of Eddie’s mom telling Eddie that there is “no way” he’s going to that sleepover. Again we’re reminded that he’s just a little awkward kid (again no offense).

I mean look at him… his cheeks are so chubby.. he has baby fat!

This really just serves as a constant reminder that people view themselves as a little bit cooler than we actually are. Not just kids, adults too. If the joke didn’t apply to adults, it wouldn’t be funny. Obviously low self esteem is a real thing, but the way we view ourselves is never exactly how the outside world views us.

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